I've got Eminem blasting in my ears..."8 Mile" soundtrack. It's an unlikely pairing, I guess, Eminem and I. After four years of high school AP English, a college degree in English Literature, and a couple of years of working in an evangelical Christian church, and I've got rap's whitest bad-boy swearing in my stereo phones about how he can't seem to get away from his trailer-park background. It seems unlikely...but there's something about the way the guy writes, the way he rhymes, the way he pens like someone like with an amazing command of the language and pushes it out of his gut like a poor kid with a chip on his shoulder and something to prove. I've got almost nothing in common with the guy, but I can't deny that I get the same thrill from Eminem's lines such as "like a cereal killer hiding murder material in a cereal box on top of your stereo" that I do from lines like Poe's "Then this ebony bird beguiling my sad fancy into smiling / by the grave and stern decorum of the countenance it wore," and Browning's "She guessed not how / Her darling one wish would be heard. / And thus we sit together now, / And all night long we have not stirred, / And yet God has not said a word," and Dickinson's "If recollecting were forgetting, / Then I remember not; / And if forgetting, recollecting, / How near I had forgot!" I don't connect in any real way with Eminem's subject matter...(I have never, as far as I recall, locked my girlfriend in my trunk and driven off of the nearest bridge)...but good writing is good writing, and it's the emotion behind it that drives me, not the action itself. Why is this such a difficult concept for today's critics and English professors? Do we really feel like the story of the usurped king, marooned on a desert island with his daughter, who befriends a a tree-sprite and co-habitates with a witch really mirrors the experience of your average reader of Shakespeare? Of course not...most of Shakespeare's stuff was, at some level
Maybe I will.
Peace,
Justin
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